Review: All Eyes on Jordan Peele’s ‘Nope’
      
        
      
      
      
    
  
    
      
        
      
      Review: ‘Top Gun: Maverick,’ A  Jaw-Dropping Blockbuster for the Ages
      
        
      
      
      
    
  
    
      
        
      
      Review: The Sweet Taste of ‘Licorice Pizza’
      
        
      
      
      
    
  
    
      
        
      
      NYFF 59 Review: ‘Red Rocket’, The American Dream Comes Home
      
        
      
      
        Review, Editor's ChoiceDante HayNYFF, Review, 2021, NYFF59, Editor's Choice, A24, Sean Baker, Dante Hay, Red Rocket, Simon Rex
       
      
    
  
    
      
        
      
      NYFF 59 Review: We're All 'The Worst Person in the World'
      
        
      
      
        Review, Editor's ChoiceGreg AriettaNYFF, Review, Greg Arietta, 2021, NYFF59, Editor's Choice, The Worst Person in the World, Joachim Trier, Neon
       
      
    
  
    
      
        
      
      NYFF 59 Review: ‘The French Dispatch,’ Wes Anderson’s Ode to The New Yorker and Print Journalism
      
        
      
      
      
    
  
    
      
        
      
      NYFF 59 Review: Flesh, Motor Oil, and Requited Love in Juila Ducournau’s Carnal Sensation, ‘Titane’
      
        
      
      
      
    
  
    
      
        
      
      Review: ‘Love Death + Robots Vol. 2’ Continues Delivering the Goods
      
        
      
      
      
    
  
    
      
        
      
      NYFF 58 Review: Sofia Coppola Returns to the Father Daughter Relationship and Personal Insecurities in 'On the Rocks'
      
        
      
      
        Review, Editor's ChoiceGreg Arietta2020, NYFF, NYFF58, Review, Editor's Choice, Greg Arietta, Apple, AppleTV+, A24, On the Rocks, Sofia Coppola
       
      
    
  
    
      
        
      
      Review: A Dive Bar Captures the Soul of a Country Adrift in ‘Bloody Nose, Empty Pockets’
      
        
      
      
      
    
  
    
      
        
      
      Review: ‘Palm Springs’ Brings Comfort to Monotony When We Need It the Most
      
        
      
      
      
    
  
    
      
        
      
      Review: Don't Call Me 'Shirley'
      
        
      
      
      
    
  
    
      
        
      
      Review: ‘Never Rarely Sometimes Always,’ Eliza Hittman’s Honest and Immediate Testimony on Abortion in America
      
        
      
      
      
    
  
    
      
        
      
      Review: Sublime Female Vision and 'Portrait of a Lady on Fire'
      
        
      
      
        Review, Editor's ChoiceMegan BernovichPortrait of a Lady on Fire, Celine Sciamma, Noémie Merlant, Adèle Haenel, Neon, 2020, Review, Megan Bernovich, Editor's Choice
       
      
    
  
    
      
        
      
      Review: ‘Beanpole,’ a Hauntingly Beautiful Tale of Love and Remorse
      
        
      
      
      
    
  
    
      
        
      
      Review: The American Way of Winning in the Safdie Brothers’ ‘Uncut Gems’
      
        
      
      
        Editor's Choice, ReviewGreg AriettaJosh Safdie, Benny Safdie, Adam Sandler, A24, Uncut Gems, Kevin Garnett, Idina Menzel, 2019, Greg Arietta, Review
       
      
    
  
    
      
        
      
      Review: Tortured Emotions from Tortured People in Noach Baumbach’s Emotional Devastation, ‘Marriage Story’
      
        
      
      
        Review, Editor's ChoiceGreg Arietta2019, Adam Driver, Scarlett Johansson, Noah Baumbach, Marriage Story, Netflix, Laura Dern, Ray Liotta, Greg Arietta, Review
       
      
    
  
    
      
        
      
      Review: Rian Johnson Delivers a Grand Whodunnit with ‘Knives Out’
      
        
      
      
        Review, Editor's ChoiceGreg AriettaRian Johnson, Knives Out, Daniel Craig, Toni Collette, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Lakeith Stanfield, Don Johnson, Christ Evans, 2019, Greg Arietta, Review