Cinema As We Know It
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Cinema As We Know It
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Reviews

All Reviews | Editor’s Choice

2017 | 2018 | 2019 | 2020 | 2021

Review: The Perennial Need for Love and Storytelling in George Miller’s ‘Ten Thousand Years of Longing’
Review: The Perennial Need for Love and Storytelling in George Miller’s ‘Ten Thousand Years of Longing’
ReviewGreg AriettaSeptember 10, 20222022, Greg Arietta, Review, Three Thousand Years of Longing, George Miller, Tilda Swinton, Idris Elba
Review: All Eyes on Jordan Peele’s ‘Nope’
Review: All Eyes on Jordan Peele’s ‘Nope’
Review, Editor's ChoiceGreg AriettaJuly 22, 20222022, Greg Arietta, Review, NOPE, Jordan Peele, Universal, Editor's Choice
Review: ‘Top Gun: Maverick,’ A  Jaw-Dropping Blockbuster for the Ages
Review: ‘Top Gun: Maverick,’ A Jaw-Dropping Blockbuster for the Ages
Review, Editor's ChoiceGreg AriettaMay 27, 20222022, Greg Arietta, Review, Men, A24, Alex Garland, Editor's Choice
Review: Alex Garland’s 'Men' Looks at the Trauma Inflicted on Women by Men
Review: Alex Garland’s 'Men' Looks at the Trauma Inflicted on Women by Men
ReviewGreg AriettaMay 17, 20222022, Greg Arietta, Review, Men, A24, Alex Garland
Review: Cooper Raiff’s Ineffable Charm Prevails in ‘Cha Cha Real Smooth’
Review: Cooper Raiff’s Ineffable Charm Prevails in ‘Cha Cha Real Smooth’
ReviewGreg AriettaMay 10, 2022Review, Greg Arietta, Festival Coverage, 2022, SIFF, SIFF2022, Cha Cha Real Smooth, Cooper Raiff, Dakota Johnson
Review: ‘Riotsville, USA’ Provides A Sobering Reminder of America's Ongoing Policing Problem
Review: ‘Riotsville, USA’ Provides A Sobering Reminder of America's Ongoing Policing Problem
ReviewGreg AriettaApril 24, 2022Review, Greg Arietta, Festival Coverage, 2022, SIFF, SIFF2022, Riotsville USA, Sierra Pettengill
Review: Introspective ‘Fire of Love’ Burns Bright
Review: Introspective ‘Fire of Love’ Burns Bright
ReviewKevin ConnerApril 24, 2022Review, Festival Coverage, 2022, SIFF, SIFF2022, Kevin Conner, Fire of Love, Katia Krafft, Maurice Krafft, Volcano, Volcanoes, Eruption, Lava, Magma, Mt St Helens, Sara Dosa
Review: ‘Speak No Evil’ Tries to Parlay Misbegotten Violence for Profound Subversion
Review: ‘Speak No Evil’ Tries to Parlay Misbegotten Violence for Profound Subversion
ReviewGreg AriettaApril 20, 2022Review, Greg Arietta, Festival Coverage, 2022, SIFF, SIFF2022, Speak No Evil
Review: Hear Me Out, Michael Bay’s ‘Ambulance’ is Pretty Great
Review: Hear Me Out, Michael Bay’s ‘Ambulance’ is Pretty Great
ReviewGreg AriettaApril 8, 20222022, Greg Arietta, Review, Michael Bay, Ambulance
Review: The Daniels Unleash All Manner of Multi-verse Chaos in ‘Everything Everywhere All at Once’
Review: The Daniels Unleash All Manner of Multi-verse Chaos in ‘Everything Everywhere All at Once’
ReviewGreg AriettaMarch 31, 20222022, Greg Arietta, Review, A24, Everything Everywhere All At Once, Daniel Kwan, Daniel Scheinert
Thoughts On Vive L’Amour
Thoughts On Vive L’Amour
Thoughts OnTheo RollasonMarch 22, 20222022, Theo Rollason, Vive L'Amour, NWFF, Tsai Ming-liang
Review: ‘X’ Has The X-Factor
Review: ‘X’ Has The X-Factor
ReviewGreg AriettaMarch 18, 20222022, Greg Arietta, Review, A24, X, Ti West
Review: Kogonada’s Sophomore Feature ‘After Yang’ Explores the Nuances of Cultural Identity
Review: Kogonada’s Sophomore Feature ‘After Yang’ Explores the Nuances of Cultural Identity
ReviewGreg AriettaMarch 14, 20222022, Greg Arietta, Review, After Yang, Kogonada, A24
Review: The Gotham Bell Tolls for Matt Reeves’s ‘The Batman’
Review: The Gotham Bell Tolls for Matt Reeves’s ‘The Batman’
ReviewGreg AriettaFebruary 28, 20222022, The Batman, Matt Reeves, Warner Brothers, Robert Pattinson, Greg Arietta, Review
Review: ‘Uncharted,’ Just Play the Games!
Review: ‘Uncharted,’ Just Play the Games!
ReviewGreg AriettaFebruary 18, 20222022, Tom Holland, Mark Wahlberg, Uncharted, Sony, Nathan Drake, Greg Arietta, Review
Review: Technical and Directorial Deficiencies Mar ‘Death on the Nile’
Review: Technical and Directorial Deficiencies Mar ‘Death on the Nile’
ReviewGreg AriettaFebruary 11, 2022Death on the Nile, 2022, Review, Greg Arietta
Review: ‘The Tragedy of Macbeth’ is a Decent Entry in a Long Line of Shakespeare Adaptations
Review: ‘The Tragedy of Macbeth’ is a Decent Entry in a Long Line of Shakespeare Adaptations
ReviewTheo RollasonJanuary 13, 2022review, 2022, the tragedy of macbeth, joel coen, a24, appletv+, theo rollason
Review: “Navel Gazing” in ‘The Lost Daughter’
Review: “Navel Gazing” in ‘The Lost Daughter’
ReviewIvy Pottinger-GlassJanuary 10, 2022review, 2022, The Lost Daughter, Maggie Gyllenhaal, Netflix, Olivia Colman, Paul Mescal, Ed Harris, Jessie Buckley, Dakota Johnson, Ivy Pottinger-Glass
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