Cinema As We Know It
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Cinema As We Know It
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Reviews

All Reviews | Editor’s Choice

2017 | 2018 | 2019 | 2020 | 2021

Review: Competent Performances Shine in Eastwood’s Muddled Everyday-Hero Film, 'Richard Jewell'
Review: Competent Performances Shine in Eastwood’s Muddled Everyday-Hero Film, 'Richard Jewell'
ReviewKevin ConnerDecember 16, 20192019, Richard Jewell, Clint Eastwood, Jon Hamm, Olivia Wilde, Paul Walter Hauser, Sam Rockwell, Kathy Bates, Kevin Conner, Review
Review: Tortured Emotions from Tortured People in Noach Baumbach’s Emotional Devastation, ‘Marriage Story’
Review: Tortured Emotions from Tortured People in Noach Baumbach’s Emotional Devastation, ‘Marriage Story’
Review, Editor's ChoiceGreg AriettaDecember 6, 20192019, Adam Driver, Scarlett Johansson, Noah Baumbach, Marriage Story, Netflix, Laura Dern, Ray Liotta, Greg Arietta, Review
Review: Marielle Heller Puts Forth a Therapeutic Force in 'A Beautiful Day in the Neighborhood'
Review: Marielle Heller Puts Forth a Therapeutic Force in 'A Beautiful Day in the Neighborhood'
ReviewKevin ConnerNovember 28, 20192019, A Beautiful Day in the Neighborhood, Lloyd Vogel, Matthew Rhys, Tom Hanks, Fred Rogers, Mr. Rogers, Marielle Heller, Micah Fitzerman-Blue, Noah Harpster, Kevin Conner, Review
Review: A Prescription for Love and Healing from Trey Edward Schults’ ‘Waves’
Review: A Prescription for Love and Healing from Trey Edward Schults’ ‘Waves’
ReviewGreg AriettaNovember 25, 2019Waves, A24, 2019, Trey Edward Schultz, Kelvin Harrison Jr., Taylor Russell, Lucas Hedges, Renée Elise Goldsberry, Sterling K. Brown, Greg Arietta, Review
Review: Straiten Those Laces for ‘Ford v Ferrari’
Review: Straiten Those Laces for ‘Ford v Ferrari’
ReviewGreg AriettaNovember 17, 20192019, Ford v Ferrari, Christian Bale, Matt Damon, James Mangold, Jon Bernthal, Greg Arietta, Review
Review: Rian Johnson Delivers a Grand Whodunnit with ‘Knives Out’
Review: Rian Johnson Delivers a Grand Whodunnit with ‘Knives Out’
Review, Editor's ChoiceGreg AriettaNovember 11, 2019Rian Johnson, Knives Out, Daniel Craig, Toni Collette, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Lakeith Stanfield, Don Johnson, Christ Evans, 2019, Greg Arietta, Review
Review: ‘Synonyms’ Explores the Struggle of National Identity
Review: ‘Synonyms’ Explores the Struggle of National Identity
ReviewGreg AriettaNovember 1, 20192019, Synonyms, Nadav Lapid, Greg Arietta, Review, Kino Lorber
Review: It’s Hard to Not Be Romantic About Cinema With Something Like ‘Parasite’
Review: It’s Hard to Not Be Romantic About Cinema With Something Like ‘Parasite’
Review, Editor's ChoiceGreg AriettaOctober 22, 20192019, Bong Joon-ho, Parasite, Neon, Palme d'Or, Cho Yeo-jeong, Park So-dam, Choi Woo-shik, Song Kang Ho, Lee Sun-kyun, Review, Greg Arietta
Review: Cynical Fantasies and Vapid Depictions of Violence In ‘Joker’ Produces Nothing but Trash Cinema
Review: Cynical Fantasies and Vapid Depictions of Violence In ‘Joker’ Produces Nothing but Trash Cinema
ReviewGreg AriettaOctober 5, 2019Joker, Joaquin Phoenix, Todd Phillips, 2019, Zazie Beetz, Robert De Niro, Marc Maron, Review, Greg Arietta
Review: Ad Astra Ventures Into the Cold Recesses of Emotional Isolation
Review: Ad Astra Ventures Into the Cold Recesses of Emotional Isolation
ReviewGreg AriettaSeptember 28, 20192019, Ad Astra, James Gray, Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler, Greg Arietta, Review
Review: Strong Performances and Vigilante Justice Lead the Way in ‘Hustlers’
Review: Strong Performances and Vigilante Justice Lead the Way in ‘Hustlers’
ReviewGreg AriettaSeptember 15, 20192019, Jennifer Lopez, Lorene Scafaria, Hustlers, Constance Wu, Lili Reinhart, Keke Palmer, Cardi B, Lizzo, Greg Arietta, Review
Review: ‘The Goldfinch’ Crumbles Under Its Own Weight
Review: ‘The Goldfinch’ Crumbles Under Its Own Weight
ReviewGreg AriettaSeptember 12, 20192019, Ansel Elgort, Nicole Kidman, Luke Wilson, Oakes Fegley, John Crowley, Jefferey Wright, Sarah Paulson, Greg Arietta, Review
Review: ‘La Flor’ is a 14 Hour Exercise in Form Over Substance
Review: ‘La Flor’ is a 14 Hour Exercise in Form Over Substance
ReviewGreg AriettaSeptember 6, 2019La Flor, Mariano Llinás, 2019, Greg Arietta, Review, NWFF
Review: ‘IT Chapter 2’ Lives Firmly in the Shadow of Its Predecessor
Review: ‘IT Chapter 2’ Lives Firmly in the Shadow of Its Predecessor
ReviewGreg AriettaSeptember 3, 2019Jessica Chastain, James McAvoy, Bill Hader, Bill Skarsgård, Jay Ryan, Isaiah Mustafa, James Ransone, IT Chapter 2, Andy Muschietti, 2019, Cary Fukunaga, Greg Arietta, Review
North Bend FF Review: Step Into the Endearing ‘Circus of Books’
North Bend FF Review: Step Into the Endearing ‘Circus of Books’
ReviewGreg AriettaSeptember 2, 2019NorthBend2019, Circus of Books, Rachel Mason, 2019, Greg Arietta, Review, North Bend Film Festival
North Bend FF Review: A Coke-Fueled Vampire Frenzy Powers ‘Bliss’
North Bend FF Review: A Coke-Fueled Vampire Frenzy Powers ‘Bliss’
ReviewGreg AriettaAugust 30, 2019NorthBend2019, 2019, Bliss, Joe Begos, North Bend Film Festival, Review, Greg Arietta
Review: Richard Linklater’s ‘Where’d You Go Bernadette?’ is Finally Set Free
Review: Richard Linklater’s ‘Where’d You Go Bernadette?’ is Finally Set Free
ReviewGreg AriettaAugust 28, 2019Where'd You Go Bernadette?, Cate Blanchett, Kristen Wiig, Laurence Fishburne, Richard Linklater, 2019, Greg Arietta, Review
Review: Rick Alverson’s ‘The Mountain’ Proves A Challenging, But Rewarding Watch
Review: Rick Alverson’s ‘The Mountain’ Proves A Challenging, But Rewarding Watch
ReviewGreg AriettaAugust 26, 2019The Mountain, Tye Sheridan, Jeff Goldblum, Rick Alverson, 2019, Greg Arietta, Review, Kino Lorber
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