Review: ‘The Matrix: Resurrections,’ Time to Fly in a New Direction
Review: Expanded Development in Del Toro’s New ‘Nightmare Alley’ is a Double Edged Sword
Review: Adam McKay Hits An All-time Low with ‘Don’t Look Up’
Review: Spielberg Goes for Differentiation Over Imitation With ‘West Side Story’
Review: The Sweet Taste of ‘Licorice Pizza’
Review: Disney Staples Make 'Encanto' A Standard Animated Outing
Review: ‘Eternals,’ A Disaster of Cosmic Proportions
Review: Passive Entertainment with Contemporary Giallo Ambitions from ‘Last Night in Soho’
NYFF 59 Review: ‘Red Rocket’, The American Dream Comes Home
Review, Editor's ChoiceDante HayNYFF, Review, 2021, NYFF59, Editor's Choice, A24, Sean Baker, Dante Hay, Red Rocket, Simon Rex
NYFF 59 Review: We're All 'The Worst Person in the World'
Review, Editor's ChoiceGreg AriettaNYFF, Review, Greg Arietta, 2021, NYFF59, Editor's Choice, The Worst Person in the World, Joachim Trier, Neon
NYFF 59 Review: ‘The French Dispatch,’ Wes Anderson’s Ode to The New Yorker and Print Journalism
NYFF 59 Review: Panah Panahi Synthesizes Both Familial Drama and Comedic Levity in ‘Hit the Road’
NYFF 59 Review: Flesh, Motor Oil, and Requited Love in Juila Ducournau’s Carnal Sensation, ‘Titane’
Review: High Flying Kicks, Same Old Punches for ‘Shang-Chi and the Legend of the Ten Rings’
Review: ‘The Green Knight’ is the New High Fantasy Exemplar
Review: Sparks have Earned their Cinematic Debut ‘Annette’
ReviewMegan BernovichReview, 2021, Megan Bernovich, Sparks, Leos Carax, Adam Driver, Marion Cotillard, Simon Helberg, Annette, Ann, Musical
Review: ‘Nine Days’ Scantly Assesses the Value Assigned to Living
ReviewGreg AriettaGreg Arietta, Review, 2021, Nine Days, Edson Oda, Winston Duke, Zazie Beats, Bill Skarsgård, Tony Hale, Arianna Ortiz
Review: Creature Comforts and ‘Pig’ in Michael Sarnoski’s Debut
