Cinema As We Know It
Recent All Reviews Editor's Choice
Recent Themes Festival Coverage
About Us Gallery
Reviews Recent All Reviews Editor's Choice Features Recent Themes Festival Coverage About About Us Gallery
Cinema As We Know It
ReviewsCoverPhoto.jpg

Reviews

All Reviews | Editor’s Choice

2017 | 2018 | 2019 | 2020 | 2021

SXSW Review: 'A Thousand Cuts' Holds a Chilling Mirror to Abuse of Power through Social Media Manipulation
SXSW Review: 'A Thousand Cuts' Holds a Chilling Mirror to Abuse of Power through Social Media Manipulation
ReviewKevin ConnerMarch 27, 20202020, SXSW2020, A Thousand Cuts, Ramona S. Diaz, Kevin Conner, Review, SXSW
SXSW Review: ‘Lapsis’ Critiques Broken Systems of the American Workforce
SXSW Review: ‘Lapsis’ Critiques Broken Systems of the American Workforce
ReviewGreg AriettaMarch 25, 2020Greg Arietta, 2020, SXSW, SXSW2020, Lapsis, Noah Hutton, Review
SXSW Review: ‘Make Up’ Descends Into the Psychological Turmoil of Infidelity and Self Discovery
SXSW Review: ‘Make Up’ Descends Into the Psychological Turmoil of Infidelity and Self Discovery
ReviewGreg AriettaMarch 23, 2020Make Up, SXSW2020, 2020, Claire Oakley, Joseph Quinn, Molly Windsor, Greg Arietta, Review, SXSW
SXSW Review: 'Rare Beasts' is an Ambitious Debut Brimming with Dense Aims
SXSW Review: 'Rare Beasts' is an Ambitious Debut Brimming with Dense Aims
ReviewKevin ConnerMarch 21, 20202020, SXSW2020, Rare Beasts, Billie Pipe, SXSW, Kevin Conner, Review
Review: Step Into the Life and Times of Del Close with ‘For Madmen Only’
Review: Step Into the Life and Times of Del Close with ‘For Madmen Only’
ReviewGreg AriettaMarch 19, 2020Del Close, 2020, SXSW2020, For Madmen Only, Heather Ross, SXSW, Greg Arietta, Review
SXSW Review: 'Feels Good Man' Offers Contemporary Lessons in Semiotics
SXSW Review: 'Feels Good Man' Offers Contemporary Lessons in Semiotics
ReviewMegan BernovichMarch 18, 2020SXSW2020, Arthur Jones, Pepe the Frog, 2020, Feels Good Man, SXSW, Megan Bernovich, Review
SXSW Review: Immature Humor Impedes ‘Drunk Bus’
SXSW Review: Immature Humor Impedes ‘Drunk Bus’
ReviewGreg AriettaMarch 17, 2020SXSW2020, 2020, Drunk Bus, Review, Greg Arietta, SXSW
SXSW Review: Kris Rey’s ‘I Used to Go Here’ is a Pleasant if Restrained Walk Down Memory Lane
SXSW Review: Kris Rey’s ‘I Used to Go Here’ is a Pleasant if Restrained Walk Down Memory Lane
ReviewKevin ConnerMarch 16, 20202020, SXSW2020, I Used to Go Here, Kris Rey, SXSW, Kevin Conner, Review
SXSW Review: ‘The Carnivores’ Uncovers the Strain in a Relationship
SXSW Review: ‘The Carnivores’ Uncovers the Strain in a Relationship
ReviewGreg AriettaMarch 15, 2020SXSW2020, 2020, The Carnivores, SXSW, Greg, Review
Review: A Fight for Survival Erupts in ‘Bacurau’
Review: A Fight for Survival Erupts in ‘Bacurau’
ReviewGreg AriettaMarch 13, 2020Bacurau, 2020, Kino Lorber, Kleber Mendonça Filho, Bárbara Colen, Juliano Dornelles, Greg Arietta, Review
Review: ‘The Invisible Man’ Engages With What Can’t Be Seen
Review: ‘The Invisible Man’ Engages With What Can’t Be Seen
ReviewGreg AriettaMarch 1, 20202020, Universal, Leigh Whannell, The Invisible Man, Blumhouse, Oliver Jackson-Cohen, Storm Reid, Aldis Hodge, Elisabeth Moss, Greg Arietta, Review
Review: Decadence, Delight, and 'Emma.'
Review: Decadence, Delight, and 'Emma.'
ReviewKevin ConnerFebruary 29, 20202020, Emma., Autumn de Wilde, Anya Taylor-Joy, Johnny Flynn, Tanya Reynolds, Mia Goth, Bill Nighy, Review, Kevin Conner
Review: Sublime Female Vision and 'Portrait of a Lady on Fire'
Review: Sublime Female Vision and 'Portrait of a Lady on Fire'
Review, Editor's ChoiceMegan BernovichFebruary 14, 2020Portrait of a Lady on Fire, Celine Sciamma, Noémie Merlant, Adèle Haenel, Neon, 2020, Review, Megan Bernovich, Editor's Choice
Review: ‘Beanpole,’ a Hauntingly Beautiful Tale of Love and Remorse
Review: ‘Beanpole,’ a Hauntingly Beautiful Tale of Love and Remorse
Review, Editor's ChoiceIvy Pottinger-GlassJanuary 27, 20202020, Beanpole, Kino Lorber, Ivy Pottinger-Glass, Review, Editor's Choice
Review: ‘Cats’ is Just the Betrayal of Artistry We Were Hoping For
Review: ‘Cats’ is Just the Betrayal of Artistry We Were Hoping For
ReviewMegan BernovichJanuary 4, 2020Tom Hooper, Francesca Hayward, Jason Derulo, Judy Dench, James Corden, Idris Elba, Jennifer Hudson, Ian McKellan, Taylor Swift, Rebel Wilson, 2019, Cats, Megan Bernovich, Review
Review: ‘Star Wars: The Rise of Skywalker’ Presents an Existential Identity  Crisis for the Galaxy Far Far Away
Review: ‘Star Wars: The Rise of Skywalker’ Presents an Existential Identity Crisis for the Galaxy Far Far Away
ReviewGreg AriettaDecember 29, 2019Star Wars, Star Wars The Rise of Skywalker, 2019, Disney, Daisy Ridley, John Boyega, Oscar Isaac, Carrie Fisher, Adam Driver, Kelly Marie Tran, J.J. Abrams, Chris Terrio, Review, Greg Arietta
Review: The American Way of Winning in the Safdie Brothers’ ‘Uncut Gems’
Review: The American Way of Winning in the Safdie Brothers’ ‘Uncut Gems’
Editor's Choice, ReviewGreg AriettaDecember 20, 2019Josh Safdie, Benny Safdie, Adam Sandler, A24, Uncut Gems, Kevin Garnett, Idina Menzel, 2019, Greg Arietta, Review
Review: ‘Atlantics’ Captures the Concept of Soulmates
Review: ‘Atlantics’ Captures the Concept of Soulmates
ReviewMegan BernovichDecember 18, 2019Mati Diop, Mame Bineta Sane, Ibrahima Traoré, 2019, Megan Bernovich, Review
Newer Older
Contact

Powered by Therese Belivet Guest Services